Learn more on the Seller Hub. Original packaging. I do have a handful of adapter cable that go from the old port to the new HDX port if you are looking to integrate these with a new HDX system. I will include one of those cables with each unit until they are gone. I also have 3x Accel cards and 2x Accel Core cards available, all functioning. I also have 3 SYNC boxes. This item is sold As-Described This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed.
Reviews of this Shop. Product Specs Listed 13 hours ago Condition Excellent Used Excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost care. Similar Products. New boxed purchases of all plug-ins and software above include an iLok License Card or online Activation Code for authorization.
A new system to offer iLok trial licenses is in development. We apologize for any inconvenience. DigiRack Plug-ins are automatically installed during the Pro Tools installation and are automatically authorized by the Pro Tools authorization. Only optional Digidesign and Digidesign-distributed Development Partner plug-ins and software options on Pro Tools TDM and LE systems running v6 and higher software have changed from floppy disk to iLok authorization as have many third-party software manufacturers.
Audio files are accompanied in the window by 'thumbnail' waveform displays, and can be auditioned by clicking a small speaker icon. Files can be dragged directly from the browser into the Edit Window timeline or into the Region List, and what's particularly nice is that any file or audio format conversions are taken care of without annoying messages.
The Workspace is the first integrated method of searching, auditioning, and importing audio Pro Tools has ever had. In PT5 the standard Import Audio panel could audition but not search, and if you searched and imported from the Mac Finder, you couldn't audition.
Dragging in large files will reveal that Pro Tools now supports background processing, so even if there are a large number of conversion, copy or consolidation jobs underway you can carry on working. A new Task Window keeps you informed of progress in background processes.
Another task that is now handled in the background is finding missing audio files in a session. Pro Tools 5 already excelled at handling missing media, due to the use of unique file IDs that ensured you always got the right thing. As well as PT6 postponing this task until after the session is opened, other improvements include a Relink window that appears when the system can't find something, and 'media off-line' warning lights in the Edit Window.
This kind of stuff may not make for sexy product demos, but it's what puts the 'pro' into Pro Tools. TDM systems have a couple of extras in this area. The Workspace is able to create and access what Digi are calling Catalogues well, Catalogs actually. These are an extension of what Digidesign's parent company Avid call 'bins' in their Media Composer video editing software.
Catalogs are collections of pointers to volumes or files, and can be used to collect together regularly used files and share them among other projects or Pro Tools systems. Catalogs can reference material that is not actually present on the local system, so they can be used to drag in audio from another studio location or even sample CDs.
Off-line files used in this way can then be automatically relinked to the Session when the actual media is available. The new Digibase features provides sophisticated project management tools. The Workspace window can be used to sort, browse, audition and search for audio files. In Pro Tools 5 tracks from other Sessions could only be added in their entirety, as new channels with all audio and automation tied together.
Import Session Data allows any layer of data 'playlist' from a track to be brought in either as a new track, or overlaid on an existing track. This is a manageable way of selectively handling layers of automation separately from the audio they overlay, which is useful for trying alternate audio while keeping your mixer moves or plug-in automation. A nice touch is that you can drag a Session icon from the Workspace into the timeline, and see a ghost indication of the Session contents.
When you drop the icon, the Import Session Data window pops up so you can specify the nature of the import. This is similar in appearance to the Workspace, but focuses only on listing all files in use by the current Session. The Project Browser can be used for more than simple reference, however: in particular, it can selectively move media to new locations and re-link the Session to reference the new files. Applications of this include consolidating scattered files into one place, sharing playback load among drives, and quickly splitting video and audio files in Pro Tools AV systems.
There are probably going to be many people for whom a software upgrade is either impossible or undesirable for the time being. In the former list are those who are running with the original AV option video package, and those running a computer that can't handle OS X. Apart from this, there a number of features missing in PT6 that may be essential to the way you work, forcing you to stay put for now.
The first of these is Direct Connect, the technology that lets you route audio from other software into Pro Tools. The next gap is left by Digi Studio, which hasn't made it into the 6. MacX YouTube Downloader. Microsoft Office YTD Video Downloader. Adobe Photoshop CC.
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